Max frisch domination
Max Rudolf Frisch (15 May – 4 April ) was a Swiss playwright and novelist. Frisch's works focused on problems of identity, individuality, responsibility, morality, and political commitment. His use of irony is a significant feature of his post-war publications. Frisch was one of the founders of Gruppe Olten. He was.
The dominating power of Bildung in the conception of Thomas Mann and others, from which Stiller in spite of all efforts cannot free himself, betrays anything but E.g. Ulrich Weisstein, Max Frisch (New York, ), between Death in Venice and Homo Faber (67,70), and between Felix Krull and Gantenbein (82), the latter .
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Description:Frisch's works focused on problems of identity , individuality , responsibility , morality, and political commitment. Frisch was one of the founders of Gruppe Olten. He was awarded the Neustadt International Prize for Literature in The family lived modestly, their financial situation deteriorating after the father lost his job during the First World War. Frisch had an emotionally distant relationship with his father, but was close to his mother. While at secondary school Frisch started to write drama, but failed to get his work performed and he subsequently destroyed his first literary works.
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